Filter & EQ natural state / dual envelope ducking filter / 16 HP ⇣ Natural State consists of two 24db filters with a CV decay envelope and an internal LFO. It is designed to filter two waveforms in the most ear-friendly way possible to create natural and organic sounding grooves and soundscapes. 1/3 key features Dual Filter Dual Envelope Decay CV Filter CV Filter Ducking Internal LFO normalized to Filter CV Envelope Output Slider Pots Wrong Polarity Protection specs & downloads width: 16 HP depth: 28 mm power: 81 mA @ +12V / 55 mA @ -12 documentation videos description / manual Each of the two channels has a DECAY slider that adjusts the decay length, an OPEN slider that adjusts the filter cutoff, and a FORCE slider that adjusts the amount of decay CV that affects the filter. The STRIKE input takes any CV from +1 volt and triggers the decay envelope. Both the decay and the filter cutoff can be controlled via the CV inputs DECAY and CTRL. Attenuators can be used to change the strength of the applied CV. The decay attenuator also acts as a DECAY CV offset. A subtle internal LFO can be routed to the filter cutoff, which is attenuated with the CTRL controls. The LFO range is rather slow to create smooth filter sweeps. The resonance of the individual filters can be changed with the PEAK potentiometers. When the DUCK control is turned to the right, the decay of the left channel increasingly suppresses the signal of the right channel, creating a ducking effect. Both decay envelopes are also routed to the ENV sockets for further external processing. NATURAL STATE QUICK START GUIDE: NATURAL_STATE_QUICK_START .pdf Download PDF • 764KB prev Up next

Utilities & PSU stereo total / mono to stereo converter, stereo width controller and imager / 4 HP ⇣ Mono: the original black and white movie. Stereo: the epic 3D blockbuster. Let's face it, mono might be the classic, but stereo is where the party's at! STOTAL_BACK.jpg 1/3 key features Mono to Stereo Converter Stereo Width Controller Stereo Imager Buffered Input Multiple Two Separate Stereo Processing Blocks Wrong polarity protection specs & downloads width: 4 HP depth: 25 mm power: 15 mA @ +12V / 10 mA @ -12V documentation videos description / manual STEREO TOTAL is a Mono to Stereo Converter, Stereo Width Controller and Imager. It consists of two building blocks. The first block A is a Stereo Simulator that creates a stereo signal from an incoming mono signal. This is done by splitting the mono signal in two separate signals, passing the left through an R-C network to reduce mid range frequencies and the right through an operational amplifier in differential mode to obtain an output as a difference to L. Knob A STEREO DEPTH controls the depth of stereo, but also places the signal within the stereo field. Because the signal is filtered, mid range frequencies will be changed as you turn the knob. Additionally the incoming mono signal is multiplied (buffered) and a lossless copy is available at the MONO OUTPUT jack in order to allow further mono signal processing. The second building block B is a Stereo Width Control that allows you to change a stereo signal from mono to wide stereo. This is achieved by summing both signals L and R to create a mono signal when knob B STEREO WIDTH is turned fully counter-clockwise and by splitting them via complete negative crosstalk, when the knob is turned fully clockwise. Fully clockwise the stereo signal contains no centre image at all. Initially the module was designed to be used with mono signals only, but you may also use both building blocks separately. You can convert a mono signal to stereo with block A while you can also change the stereo width of another stereo signal with block B. You can also independently convert two mono signals to stereo using both blocks at the same time (you need to patch a dummy cable to the right channel of stereo input B to disconnect both blocks). A mono signal to block A will run through both blocks when nothing is patched into the block B stereo input jacks. prev Up next

Oscillator pyxis / adaption of mutable instruments "plaits" / 8 HP ⇣ PYXIS condenses all of Plaits' functionalities into a more compact hp footprint, while further pushing the principle of "simplicity first" to unparalleled heights. 1/3 key features Please check out the original module by Émilie Gillet which is an all time Eurorack classic already Illuminated Pyxis Logo Wrong Polarity Protection specs & downloads width: 8 HP depth: 28 mm power: 50 mA @ +12V / 5 mA @ -12V documentation videos description / manual In order to easily tweak and change the sounds there are four main potentiometers that will change Timbre, Harmonics, Morph and Variant, which is any possible mixture of OUT and AUX. Freq has been put onto a small trimmer potentiometer to avoid any accidental change in pitch. On the bottom of the panel you will find all necessary jacks to control Pyxis via CV. Timbre, Morph and Freq have dedicated attenuverters to adjust the incoming CV signals. Yeah…but…where are the LEDs? Instead of always directly jumping to chord mode and watching the LEDs change, isn‘t it much better to listen and trust your ears to choose the right sound? Tweak the four potentiometers, change the program with the two buttons (Sound and Percussion Mode) and listen to the wide range of sounds Pyxis is able to generate. Let yourself be surprised what is hidden behind the programs you would usually not choose following the LED indicators. Released under cc-by-sa-3.0 license: Pichenettes Mutable Instruments prev Up next

Oscillator klangmaschine / dual digital fm synthesizer / 16 HP ⇣ KLANGMASCHINE is a powerful tool for creating a wide range of sounds, from simple sine waves to complex and evolving textures. It combines two simple frequency modulated synthesizers to create a very powerful and versatile digital sound source. 1/3 key features 2 Voice FM Synthesizer plus Noise Generator CV over all FM Parameters Tone Control Internal VCA Internal Mixer Individual Outputs Wrong Polarity Protection specs & downloads width: 16 HP depth: 28 mm power: 98 mA @ +12V / 56 mA @ -12V documentation videos description / manual FREQUENCY MODULATION (FM) SYNTHESIS is a method of sound synthesis that uses the modulation of the frequency of one waveform by another waveform to create complex and evolving timbres. FM synthesis uses a modulator waveform to modulate the frequency of a carrier waveform. The frequency of the modulator is usually in the audio range, while the frequency of the carrier determines the pitch of the resulting sound. On both sides of the module are the parameter controls for the FM voices. The sliding potentiometers control FM AMT, FM FREQUENCY and PITCH. Each parameter can be voltage controlled. Attenuators control the amount of incoming CV. If nothing is connected to the CV inputs, the above CV attenuators change the response curve of the parameter sliders. Above the sliders is a TONE control, which lets you emphasize either low or high harmonics, and a VOLUME control, which affects only the MIX OUT. Connect your pitch CV to the V/OCT to play notes. The left V/OCT input is normalized to the right. In addition to the two synthesizer voices, there is a volume control to add white noise to the MIX OUT. You can either listen to the oscillators individually at the OUT jacks, or tap a mix of all three sound sources at the MIX OUT. If you connect an envelope CV to the VCA CV input, you can control an internal VCA. If no envelope CV is connected to the VCA CV input, the LED lights dimly to indicate that all three voices are being output at the MIX OUT. As the level rises, the LED indicates the volume level. If a patch cord is connected to VCA CV without CV, the LED is off to indicate that no signal is being output. If the VCA is opened via CV, the LED again shows the volume level. In the "Just a Minute - Live Techno" videos shown above I use KLANGMASCHINE for the lead sound. Have a listen! KLANGMASCHINE QUICK START GUIDE: KLANGMASCHINE_QUICK_START .pdf Download PDF • 908KB prev Up next

Utilities & PSU two sides / utility multiple / 6 HP ⇣ Two Sides is way more than a standard multiple. 1/3 key features Utility Module combining more than 8 Functions Mix, Multiply, Attenuate, Control, Route, Fade, Switch or Swap any Signal (CV or Audio) LED Indicators Seperate single Outs for each Channel Wrong polarity protection specs & downloads width: 6 HP depth: 28 mm power: 35 mA @ +12V / 15 mA @ -12V documentation videos description / manual TWO SIDES has the following functions: 1 to 5 Buffered Multiple Individual Attennuation for each side. Uni- or Bipolar selectable for each side via Jumper. 2-Channel Mixer Signal On/OFF Switch Fade two Sources (CV or Audio)Swap Destinations Ringmodulate them or Control the Amplitute of Input A with a CV Signal in Input B (VCA) You may also use any combination of the above mentioned functions. The two LEDs indicate the current signal of each side. Even the Logo is illuminated according to the processed signals. prev Up next

We greatly value all the feedback we receive. Nevertheless, we prefer to maintain communication within the forum to ensure that all information remains accessible to the community. SAY HELLO! We greatly value all the feedback we receive. Nevertheless, we prefer to maintain communication within the forum to ensure that all information remains accessible to the community. forum First Name Last Name Email Your message Thanks for reaching out! Senden

ST CASE SMALL is a 20HP 3D printable Eurorack case designed to hold a small power supply (e.g. POW!) and an effects module to build a modular-compatible effects unit the size of a guitar pedal. Of course, you can also mount any other type of module that suits your needs. The internal depth of the cabinet is 35mm, the rails are inserted from the side. It is recommended to glue small rubber feet underneath to ensure a good stand. st case small / 3d-printable eurorack case / 20 HP ⇣ ST CASE SMALL is a 20HP 3D printable Eurorack case designed to hold a small power supply (e.g. POW!) and an effects module to build a modular-compatible effects unit the size of a guitar pedal. Of course, you can also mount any other type of module that suits your needs. The internal depth of the cabinet is 35mm, the rails are inserted from the side. It is recommended to glue small rubber feet underneath to ensure a good stand. There is a large hole at the bottom for easy access to the power cables and calibration trimmers or bridges. This makes this enclosure ideal for testing purposes. To have your ST CASE SMALL printed, you can download the STL-file below and contact your preferred 3D printing service. It is best to use PLA or PETG filaments. The average cost of printing the enclosure at an online print shop is around 15€ to 30€ (PLA; black; no finish). Local 3D printing services are often cheaper than those you find online. If you print the enclosure yourself on your own printer, it costs about 3€. The case shown on this page was printed with PLA on a Bambu Lab X1C. key features 3D-Printable Low-Cost Slide-in Rail Brackets Lightweight specs & downloads width: 20 HP depth: 55 mm power: no psu DOWNLOAD STL (ZIP) Up

We greatly value all the feedback we receive. Nevertheless, we prefer to maintain communication within the forum to ensure that all information remains accessible to the community. Booking Request Please complete the form below and get in touch with us. First Name Last Name Email Your message Thanks for reaching out! Senden

KRAKONG is a duophonic generative synthesizer with a sequencer per voice, FM crossover modulation, an additional random modulation sequencer, one multimode filter with VCA, a buffered multiple and a resettable LFO. The design includes a collection of manual controls and connections for patching and CV control. "Krakong fits seamlessly into a series of well-known generative semi-modular synthesizers. It invites you to lose yourself in hours of sound design and keeps surprising you with new sounds and sequences." MAIN FEATURES KRAKONG is a duophonic generative synthesizer with a sequencer per voice, FM crossover modulation, an additional random modulation sequencer, one multimode filter with VCA, a buffered multiple and a resettable LFO. The design includes a collection of manual controls and connections for patching and CV control. It fits into a standard Eurorack case with at least 80 HP (3U). Each of the unit's two voices consists of a triangle and a square wave oscillator, a shift register sequencer, a decay envelope generator and a filter-based gate. In addition to the two synthesizer voices, which can be manually distributed in the stereo field, a third ring-modulated output of the two voices can be mixed to the main output. The tempo of all sequencers is determined by a clock generator, which can be controlled internally or synchronised externally to any voltage (audio and CV). This musical instrument has a complete structure that allows for a wide range of sonic possibilities, from rhythmic drum patterns and tamed sonic chaos to textural and rough synth-sounds. The essence of this unit lies in the exploration of the interplay between the elements of the synthesiser, using the three sequencers and filters, manual controls and modulation patch points. It can be powered by a standard Eurorack PSU or a small ST Modular PSU PCB that can be built separately. INPUTS, OUTPUTS & FEATURES 2 Oscillators 1 Ring-modulated Output of the two Oscillators 1 CV OSC FM Cross-Modulation 2 CV Filter-based Gates 2 CV Decay Envelope Generators 1 CV Multi-mode Filter with two External Inputs and VCA 1 Noise Output 2 Shift Register Sequencers 1 Random Modulation Sequencer 1 CV Clock Generator 1 Resettable LFO 1 Buffered Multiple with Inverted Output 1 Mixer with stereo distribution (panning) OSC I and OSC II PULSE – Output of the PULSE waveform TRIANGLE – Output of the TRIANGLE waveform RNDM – Amount of random modulation of the RNDM SEQ applied to the oscillator´s frequency. FREQ – Manual control of the oscillators´s frequency. FREQ CV Input – CV frequency input with attenuator. The oscillators don´t track exactly 1V/Oct. The MOD´s square wave output is normalized to the OSC I CV input. The MOD´s triangle wave output is normalized to the OSC II CV input. NOISE OUT – Output of the internal NOISE GENERATOR GATE (OSC I & OSC II) IN – Audio input. The oscillator´s TRIANGLE output is normalized to this input. RNDM - Amount of random modulation of the RNDM SEQ applied to filter. This knob also acts as a attenuator for the GATE CV input. CV – CV input for the GATE cutoff. The RNDM SEQ CV output is normalized to this input. OFFSET – GATE cutoff offset FORCE – Amount of DECAY CV applied to the GATE Resonance of the OSC gates can be adjusted via a trimmer on the PCB DECAY (OSC I & OSC II) TRIG – CV input for triggering the DECAY envelope. The SERIAL SEQ TRIG output is normalized to this input. DEC OUT – DECAY output (OSC I Decay output can be set to inverted via jumper on the PCB) CV – CV DECAY input with attenuator. The RNDM SEQ CV output is normalized to this input. DECAY – Manual control of the DECAY length SERIAL SEQ (OSC I & OSC II) CLK IN – Sequencer clock input. The CLOCK GENERATOR´s output is normalized to this input. CLK DIV – The normalized CLOCK GENERATOR input can be divided by 2 or 8 (selectable via jumper on PCB). CV IN – Changes the locked note per clock according to an incoming CV signal. This signal is mixed with an internal noise source that generally generates random notes for the sequencer. GATE OUTPUT – Random or looped GATES CV OUT – Random or looped PITCH CV generated from a noise and CV input source. SCALE – Range of the pitch of CV OUT LENGTH – Select the length of a SEQUENCE. You can choose 4, 5, 6 or 7 (selectable via jumper on the PCB) or 8 steps. Please note that a change of the sequence length might also change the notes that are locked per clock signal, even in LOOP mode. LENGTH CV – CV control for selecting the sequence length RNDM/LOOP – Button to LOOP a sequence. If it is not looped it will generate random notes and gates. ADD – When pressed simultaneously with a CLOCK signal, it adds a random note and gate to the sequence. DEL – When pressed simultaneously with a CLOCK signal, it deletes a note and gate from the sequence. MOD (Resettable LFO) MOD KNOB – Manual control of the LFO RATE MOD RATE – Changes the RANGE of the LFO RATE from fast to slow. RST IN – Resets the LFO cycle on an incoming trigger signal. MULT (1 to 3 Buffered Multiple) IN – Multiple input. The MOD triangle waveform is normalized to this input. OUT (2x) – Buffered output of the multiplied signal. INV – Buffered and inverted output of the multiplied signal . RNDM SEQ (Random Modulation Sequencer) CHANGE – Turn this knob to create new random sequences or loop them STEP/∞/OSC SWITCH – Controls if the CHANGE button is influenced either via the STEP IN input or the OSC I PULSE waveform. In mid-position no additional changes are applied to the CHANGE button. STEP IN – CV input to control the CHANGE knob (if SWITCH is set to STEP) in order to created steps of looped and random sequences. CLK IN – CLOCK input for the RNDM SEQ. The CLOCK GENERATOR´s output is normalized to this input. RNDM OUT – Output of the RANDOM MODULATION SEQUENCER CLOCK (Internal Clock Generator) CLOCK – Manual control of the CLOCK rate CLOCK CV – CV input with attenuator to control the clock rate. The RNDM SEQ CV output is normalized to this input. EXT CLK – External Clock input that overrides the internal clock. Any signal can be patched to this input (CV or audio). THRESHOLD – Sets a voltage threshold at which a clock pulse is generated. With a low threshold, clock pulses are already generated for very low voltages and conversely with a high threshold, clock pulses are only generated at peak voltages. In this way, you can use an audio drum loop, for example, to generate a clock signal and control the amount of clocks generated. MLTMD FILTER (Multi-Mode Filter) CUTOFF – Manual control of the filter´s CUTOFF frequency RNDM - Amount of random modulation of the RNDM SEQ applied to filter. OVERLOAD IN – External input with attenuator. If you turn the attenuator past 12 o'clock, the incoming signal is starting to clip softly. FILTER IN - External input with attenuator. FM IN – Frequency Modulation input with attenuverter (bipolar). The internal LFO Triangle waveform is normalized to this input. RESONANCE – Feedback of the filter output to the input. This goes as far as self-oscillation. RESONANCE CV – CV input for RESONANCE control SLOPE – This button changes the LOWPASS and BANDPASS FILTER SLOPE from 2-pole (12db) to 4-pole (24db). BANDPASS/LOWPASS/HIGHPASS – Filter output of the corresponding filter modes V/OCT – CV input with 1V/OCT tracking. This way you can play the filter with self-oscillating resonance as a third synthesizer voice. VCA CV - Voltage controlled amplifier input that only affects the LOWPASS output. T² – Pre-Filter ring-modulated output of OSC I and OSC II triangle waveforms OSC FM (Oscillator FM Cross-Modulation) FM AMT – Amount of frequency modulation applied to the target (OSC I, OSC II or both) FM CV – CV input to control the frequency modulation amount DIRECTION – Choose the direction of frequency modulation: OSC I modulating OSC II, OSC II modulating OSC I or both modulation each other. OUT (Mixer and OSC I & OSC II Panning) LEFT/RIGHT – Stereo Output VOL I+II – Volume control of the T² output before it is routed to the MULTIMODE FILTER. If you want to use the MLTMD FILTER only with another sound source, simply turn this volume down. VOL II – Volume control of OSC II VOL I – Volume control of OSC I MIXER IN – External mixer input. Audio is directly routed to OUT. VOL IN – External mixer input volume control SPREAD – Extends the panning for OSC I and OSC II in opposite directions and thus distributes the two outputs in the stereo field. The ring-modulated output of OSC I and OSC II remains in the centre position. This way you can also use the stereo outputs as individual OSC outputs. QUICK START GUIDE Please click the image above to open or download the PDF file . SO MUCH TO EXPLORE! Use the multi-mode filter in self-oscillation as a third synth voice . Just turn down the I+II volume, patch a sequence to the v/oct input and use the vca! Add some noise to the mix by patching the noise output into the filter overload input. Turn the gate offsets up to unleash Krakong´s full droning capabilities , additionally cv modulate the OSC FM amount ! Use an external drumbeat to clock Krakong from an audio source . Play with the threshold to get different results! Don't forget to patch the CV output of the serial sequencers to the pitch input of the oscillators to get its full effect! Why not patching the pulse output into the gate input ? Or one of the many sequencer gate outputs into the decay trigger input? VIDEO AUDIO KRAKONG sounds, underlaid with an external beat. Each sample starts with a beat, then KRAKONG begins to play. Further down in the playlist follow some solo sounds. PANEL 80HP GALLERY 1/6 Up

Welcome to Authorized Dealers, your go-to resource for finding official retailers of ST Modular designs. Explore our curated list of trusted dealers offering high-quality ST Modular synthesizer kits and components. Whether you're a seasoned modular enthusiast or a beginner, find the perfect products to expand your Eurorack system. Shop confidently from authorized sellers to ensure genuine ST Modular designs and top-notch support. WHERE TO BUY? ST Modular doesn't directly sell its designs, but instead provides licenses to third parties for manufacturing and distribution. Alongside the sale of PCBs, panels, and DIY kits, certain partners of ST Modular also provide fully assembled modules. Authorized Dealers: pushermanproductions.com PCBs, Panels, Kits and Pre-Assembled Modules for Eurorack Builders (GBR) calsynth.com Made with Love in Los Angeles, California - Built & DIY Modules (USA) 3U-shop.de Kits & Parts and More… (GER) tlm-audio.com Professionally built Modules made in Germany (GER) ears-modular.com Electronic Art Research Society is a small online shop that sells circuit boards, parts, and accessories for Eurorack-standard home-made synthesizers (JPN) Please note: The responsibility for the availability and construction quality of both PCBs and built modules rests solely with the authorized dealers. Modular Addict (modularaddict.com), currently an unauthorized dealer, sells partially outdated PCBs and old panels without my consent. If you want to support ST Modular and use the latest circuit boards, please purchase your ST Modular PCBs and panels from one of the other authorized sellers. Up

Meet the Swiss Army knife's ambitious cousin – the multitasking marvel that sits in front of your Eurorack, ready to unscrew musical conundrums, slice through soundscapes, and twea-zor its way into your sonic heart. workbench / usb powered multi utility tool / 0 HP ⇣ Meet the Swiss Army knife's ambitious cousin – the multitasking marvel that sits in front of your Eurorack, ready to unscrew musical conundrums, slice through soundscapes, and twea-zor its way into your sonic heart. key features Multiple LFO Attenuator documents Fader Swap USB-Power description / manual Multiple 1 to 3 multiple with one inverted output. The multiple is normalised to the swap unit of the module. LFO The LFO provides a triangle and square wave and can be reset by an external gate or clock signal. The LFO signal can be attenuated with the slider pot and its rate may be varied with the RATE potentiometer. An inverted copy of the triangle wave is normalised to channel A1. An inverted copy of the square wave is normalised to channel B1. These connections are independent from the LFO attenuator and may be interrupted by patching a cable into the channel A1 or B1 input or by the normalisation selection switches. You can choose to normalise the LFO or a fixed voltage of 0V to +5V adjustable with the VOLTAGE knob for all channels at once. Attenuator/Mixer WORKBENCH has four channels A1, A2 and B1 and B2. Any signal (audio or CV) patched into the inputs are attenuated by the slider pots. The channels of each section are daisy-chained, thus they can be mixed or the second channel can act as an offset (CV). The normalisation switch selects which voltage will be fed into the input if no cable is being patched (LFO or fixed voltage 0V to +5V). Fader The Fader mixes between two sources with a single slider. Both channel sections A and B are mixed into a fader circuit, if no cable is inserted into their outputs and the fader inputs. The fader output can be attenuated with the LVL knob. Swap The Swap unit exchanges the destination of one or two sources with the push of a button. This way you can route two signals to the corresponding destination of the other input. Anything patched into the Mult will also be multiplied to the Swap inputs of nothing is patched here. USB Power WORKBENCH is powered by standard USB power (+5V) and is fully compatible with your Eurorack system. You can choose to power it with a Mini B, Micro B or Type C USB cable. You can solder all USB connect or just one of them, if you have a favourite USB cable you want to use. Up

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